In Part 3 of this series I talked about the three two-note bass lines you need memorize. In this part we’ll discuss what goes “on top” of those bass notes.

How about if I told you that you only need to ‘hear’ eight chords in your brain. That’s right, not 8,000, just eight. There are variations on those eight buy they make sense so don’t be intimated by that. Your goal is to get these eight in your brain so that you can sing all the way up and down them (‘arpeggiate’ as they say in wine country), recognize them when played and conjure them when creating music. People do it every day.
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This is Part 3 of an article about using your brain as your main musical instrument. If you missed it, you should start at Part 1 or at least Part 2. Otherwise you’re a cheater.

At the same time you’re teaching your brain about sounds played together (a.k.a. chords) there are three two-note bass-lines you should immediately memorize. That’s right, three bass-lines with two notes each. It turns out if you can hear these three lines you will recognize the bass lines of 99% of pop music and all related genres and that includes jazz.
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This is Part 2 of a series about techniques for embedding sounds into your head. Sounds painful and it might be, you have been warned. Part I is here.

Here’s a test: compose a piece of music completely in your head. Can’t do it? Just write the first four bars, the first phrase. Compose the melody and harmonize it (figure out the chords). It’s not easy but that’s what musicians do. The instrument (piano, guitar, sequencer) then becomes a validation and recorder.
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