Ghosting in ACID

Sunday, February 29th, 2004 at 6:42 pm

Last November, Joe Chellman wrote this great article on drum programming techniques.

The section on ghosting stayed with me. I used to add lots of little ghost hits but for some reason I let it go. Well Joe shook me loose again and now I rarely let a drum beat go by without it.

I mainly use FL Studio for building drum beats, but that doesn’t mean it can’t be done with ACID.

There are several important features that you should become familiar with to ease the process.

The first is “Duplicate Track.” Draw out one bar of your favorite clean drum beat. Right click in the far left tray and select “Duplicate Track” from the menu. You will use the first track as your main drum beat and the new duplicate track for the ghosts.

Next is the “Split.” Select the section in the duplicate track and place the ‘current’ line cursor right after the first bass drum attack. Hit the ‘S’ key to split off the rest of the track. Isolate the snare (usually on the second beat of the segment) and split away everything around it.

Now with just these two segments (the bass drum and snare isolated) cut, copy and paste them around the duplicate track.

Ghosts

[ listen ]
[ download ]
When you hover at the top of every track snippet (or “event” as the ACID docs call them) the cursor changes into an up/down arrow. Click and drag downward. You are manipulating the “Fade Handle” which determines, just for that event what the level will be. Here’s a big image of what I’m talking about and clicking on Vincent will play the clip for you.

Get funky.

Comments...

  1. Joe Says:

    This is a different kind of ghosting than the one I had in mind. This sounds like putting delay certain parts of the track to me. Yet another way of doing things. Cool!

  2. Matt Hite Says:

    Kinda like a glitch track, no? Nice effect!

  3. victor Says:

    joe: well yea, I’m not surprised I didn’t pull it off to a real drummer’s standard. It’d be great if you posted exactly what you meant.

    matt: who you callin a glitch?

    meanwhile, glitches are usually the same volume (I gather), but sure, if you did this with vocals it would absolutely be on the way to glitch.

  4. Joe Says:

    Hey, Victor, I wasn’t knocking what you did. I like how it sounds — like I said, it’s just different. An unexpected interpretation.

    How is it different? Good question. The answer will be up soon.

  5. Home Audio Journal Says:

    Ghosted Notes Revisited

    In which we offer examples of ghosted notes in a funk beat.

  6. victor Says:

    joe: I didn’t mean to imply that you were.

    everyone: follow the trackback link to see how it’s done for real. The same exact principles apply in ACID, you’re just using wave snippets instead of midi notes — every time joe says “lower the velocity” you lower the fade handle.

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